| Artists Page 2 |
| FOLLY |
| Willie Williams (November 2010 issue) "I decided to make something that would play with the idea of 'light shows.’ From the earliest 'lumia' experiments of the 1920s to the automated lighting of modern day theatre, the principle is the same – there is a light source, something to make color and then a piece of glass to focus or diffract the output. Quite how I got from there to cake stands I don't exactly remember, but the notion of taking humble, if not hideous, domestic objects and using them to make the aurora borealis was an opportunity I couldn't resist." (Photos courtesy of Willie Williams 2010(c)) YouTube Link |
| Wangechi Mutu (June 2010 issue) Aztec Connection (Image courtesy of Susanne Vielmetter Los Angeles Projects; Photo credit: Joshua White) You Tube Link |
| Charles Clary (July 2010 issue) Flamtastic Fantasia (Image courtesy of the artist (c) 2010) YouTube Link |
| Erik and Martin Demaine (August 2010 issue) Tsunami and 5b (Images courtesy of the artists) YouTube Link |
| Anthony Dubovsky (August 2010 issue) Consumnes Pond and Sauzales (Images courtesy of the artist) |
| Peter Reginato (b.1945-) was born in Dallas, Texas and grew up in the Bay Area, California. He studied at San Francisco Art Institute and taught at Hunter College. He has had numerous one-person exhibitions around the country and has shown internationally. His work is included in major public collections such as Corcoran Gallery of Art, Washington, DC; Hirshhorn Museum and Sculpture Garden, Washington, DC; Metropolitan Museum of Art, New York, NY; Palm Springs Art Museum, Palm Springs, CA; and Boca Raton Museum of Art, Boca Raton, FL; among others. He is the recipient of a Pollock-Krasner Foundation Grant and National Endowment for the Arts, Sculpture Grant, Washington, DC. Peter lives and works in New York, New York. Photos courtesy of Peter Reginato © 2011 YouTube Link |
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| Frances Stark (September 2010 issue) The New Vision Newport Beach-born (1967) and Los Angeles–based artist Frances Stark is known for her art criticism and creative writing, and the evolution of her own work. She often combines text and image, exploring the relationship between the two in collage. Drawing on literary sources and pictorial material in her work, she wrestles with personal, plural, political and creative forces. Playful, poetic, ironic, at times rhythmic, often intuitive, anxious and despairing, Stark exposes the folly of being human. YouTube Link |
| Ghani Alani (April 2010 issue) (Photographs, courtesy of Ghani Alani (c) 2010) You Tube Link |
| Annie Lapin (December 2010) "I am less interested in the depiction of “things,” real or imagined, than I am in the way certain images play with our minds at various points in history and culture. In my most optimistic moments, I sometimes believe that painting has the capacity to provoke a confrontation with the process of cognition, on both an individual and a societal level. The imaginary or surreal quality of my work probably is a natural bi-product of my experiments toward that elusive end.” |
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